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In this Feminist classic of self-possessed sexuality, Iannone sings a single verse of a German song over and over, while masturbating; the record ends in both a melodic and actual climax. The Statue of Liberty presented itself to her as an obvious template: “flowers and stars falling from the air, fireworks exploding in the sky, I suddenly realized I had painted a metaphor for the moment of orgasm, that fleeting moment where we are one with the true nature of our minds that moment of ecstatic unity which can also be called enlightenment.”\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Artist_Dorothy Iannone","offers":[{"title":"Default Title","offer_id":31687926808629,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/1423\/7749\/products\/airdi01-ind01.jpg?v=1582216147"},{"product_id":"ppowar01-ind01","title":"Green Grass","description":"\u003cp\u003eThe mighty Annabeth Rosen is a consummate New Yorker, but has taught for many years in California (at UC Davis, a historic ceramics powerhouse). This bicoastal biography positions her at the great confluence of American ceramics. When she came into the field in the 1970s, the discipline was still divided into two geographical wings. The East Coast establishment, centered at Alfred where she initially studied, offered technique and historical expertise. California was comparatively revolutionary, a place of macho expressionist posturing. These two trajectories intertwine in Rosen’s work, which is both learned and explosive at once. Her works shown at Object \u0026amp; Thing are part of an ongoing exploration of bundled forms, in which strongly patterned volumes are lashed together with rubber tubing. They refer to the history of ceramics as a globally traded commodity, while also expressing a raw sensuality – a feeling of bodily abundance overwhelming constraint.\u003c\/p\u003e","brand":"Artist_Annabeth Rosen","offers":[{"title":"Default Title","offer_id":31687926874165,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/1423\/7749\/products\/ppowar01-ind01.jpg?v=1582216151"},{"product_id":"ppowar02-ind01","title":"Prolly","description":"\u003cp\u003eThe mighty Annabeth Rosen is a consummate New Yorker, but has taught for many years in California (at UC Davis, a historic ceramics powerhouse). This bicoastal biography positions her at the great confluence of American ceramics. When she came into the field in the 1970s, the discipline was still divided into two geographical wings. The East Coast establishment, centered at Alfred where she initially studied, offered technique and historical expertise. 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Here’s what he came up with:\u003c\/p\u003e\n\n\u003cp\u003eTo listen fully \u003cbr\u003e\nBeing open \u003cbr\u003e\nPrayer \u003cbr\u003e\nSearching for finer energies (often through humor) \u003cbr\u003e\nSearching for my true Self \u003cbr\u003e\nQuietness \u003cbr\u003e\nOur animal nature \u003cbr\u003e\nNew birth \/ newness (eggs)\u003c\/p\u003e\n\n\u003cp\u003eIt’s a wonderful list, the opposite of systematic; and it affords a rich view into the artist’s inner life. His ceramic sculptures exemplify these various principles; they are a cast of characters who have wandered free of his imagination. Sherman realizes them in an ongoing act of improvisation, purposefully playful, almost like a toy-maker. The sheer pleasure of that invention comes through.\u003c\/p\u003e","brand":"Artist_Bruce M. 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His ceramic sculptures exemplify these various principles; they are a cast of characters who have wandered free of his imagination. Sherman realizes them in an ongoing act of improvisation, purposefully playful, almost like a toy-maker. The sheer pleasure of that invention comes through.\u003c\/p\u003e","brand":"Artist_Bruce M. Sherman","offers":[{"title":"Default Title","offer_id":31687927365685,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/1423\/7749\/products\/beauchenebs02-ind01.jpg?v=1582216163"},{"product_id":"beauchenebs03-ind01","title":"Sensing the Finer atmosphere that Surrounds","description":"\u003cp\u003eBruce Sherman was once asked to describe the ideas active in his work. 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However considered, the work suggests various forms of “transmission”: meaningful communication, as in what Sandin describes as a “hearing trumpet”; liquid exchange, as in distilling equipment; or the very idea of passage itself. The companion works made of lightning rods, a material meant for transmitting electricity, are rendered in zigzag form. The “hearing trumpets,” hollow, undulating forms in brass transmit speech as sound, while also providing a way to focus attention.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eNote: base is shorter than appears in the image.\u003c\/span\u003e\u003c\/p\u003e","brand":"Artist_Hanna Sandin","offers":[{"title":"Default Title","offer_id":31687927660597,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/1423\/7749\/products\/DEE74A96-5B5A-442F-A04D-E80E9A36BD92.jpg?v=1582561451"},{"product_id":"bizehs02-ind01","title":"Transmission Object XIII","description":"\u003cp\u003eThe New York-based artist Hanna Sandin works across the spectrum from sculpture to jewelry, sometimes – as in the Transmission Object shown here – landing smack in the middle. 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Yet if there is something fragile and awkward about his objects, they also express a particular kind of joy, as if amazed by the sheer fact of their own existence.\u003c\/p\u003e","brand":"Artist_William J. O'Brien","offers":[{"title":"Default Title","offer_id":31687927791669,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/1423\/7749\/products\/boeskywob01-ind01.jpg?v=1582216175"},{"product_id":"boeskywob02-ind01","title":"Zoetrope Bowl","description":"\u003cp\u003e“Often I think that it can be very detrimental to sit down and think too much about why we make art,” says William J. O’Brien. “It will only lead towards more doubt, self-sabotage, disillusionment and neurosis.” This is a characteristic comment from an artist whose works, by his own account, are like wrestling matches with private demons. Yet if there is something fragile and awkward about his objects, they also express a particular kind of joy, as if amazed by the sheer fact of their own existence.\u003c\/p\u003e","brand":"Artist_William J. O'Brien","offers":[{"title":"Default Title","offer_id":31687927824437,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/1423\/7749\/products\/boeskywob02-ind01.jpg?v=1582216179"},{"product_id":"boeskywob03-ind01","title":"Viridian \u0026 Vine Bottle","description":"\u003cp\u003e“Often I think that it can be very detrimental to sit down and think too much about why we make art,” says William J. O’Brien. “It will only lead towards more doubt, self-sabotage, disillusionment and neurosis.” This is a characteristic comment from an artist whose works, by his own account, are like wrestling matches with private demons. 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The exhibition invited visitors into a multi-layered experience, including cultural references (among them the title, taken from a Vince Guaraldi Trio track). In this context the harp suggested the onset of a dream sequence – often cued in film by the rippling notes from such an instrument. The ethereal effect is enhanced by its ghostly whiteness and polychromatic strings.\u003c\/span\u003e","brand":"Artist_Sam Anderson","offers":[{"title":"Default Title","offer_id":31687927889973,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/1423\/7749\/products\/chaptersa01-ind01.jpg?v=1582216186"},{"product_id":"cooperkh01-ind01","title":"Spiral","description":"\u003cp\u003eDo materials have agency? Should we think of matter as “vibrant,” as the theorist Jane Bennett has suggested, enacting change in the world through its inherent qualities? These are big questions, which the Toronto-based artist Kara Hamilton condenses into small packages. Operating both as a sculptor and a jeweler, she uses a combination of found and forged elements, often juxtaposing the valuable and the cast-aside. Each of her compositions seems to have its own internal economy. Each component is drained of its obvious meaning and then re-scripted through juxtaposition. Crushed metal weirdly echoes a seashell; dissimilar links connect in a single chain; a rosary is disrupted by a cascade of baroque curvature. 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They are to pottery what James Joyce was to prose, assembled into gorgeous, fractured constructions which make a kind of sense, but only on a subterranean level, which can be explored but never fully. Untitled (Shard Pot) continues her long-running smash-and-grab campaign on the history of ceramics. Festooned with fragments, it could have been retrieved from a pit by an archaeologist. A single deft touch of color – an aqueous blue – suggests that its site of origin could be somewhere by the sea, while the redness of the clay recalls Mexico, or ancient Greece. It’s a whole world in orbit around itself. 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Fabricated by Joy Feasley and Paul Swenbeck at Kohler Co., it is part of Swenbeck’s series Glimmung, a title that connotes both luxurious décor and ghostly apparitions. In each work, a free-floating blob of ornament seems to lurch into near-life. Other works in the series have been rendered in cast iron, and resin with pigment.\u003c\/p\u003e","brand":"Artist_Paul Swenbeck","offers":[{"title":"Default Title","offer_id":31687928053813,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/1423\/7749\/products\/fleisherps01-ind01.jpg?v=1582216201"},{"product_id":"friedmanjt01-ind01","title":"Booti Stools","description":"\u003cp\u003e“Quirky” – it’s a word with an unfairly low reputation. Also a word that gets thrown around the British designer Jonathan Trayte quite a bit. When you stop to think about it, though – and Trayte’s work is an ideal prompt to do just that – quirks are downright fascinating: little sideways slides from the expected, the sort of thing that makes a person or an object worth knowing. They give a place its charm, a story its atmosphere. Trayte’s objects are, essentially, quirks in physical form. Each reminds you of things you’ve seen before, transformed through color and composition into an unforgettable new concoction. His Booti stools, for example, have Pink Panther legs and blue-and-white patent leather seats, like something from a 1960s bus interior. 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Based in Marrakesh and Karlsruhe, they present themselves as a “Super Design + Art Service,” offering gently provocative disruptions to the forms of daily life. The trio of objects included here, Blumennase, Blumenfuss, and Blumenzahn, are exactly what their titles proclaim them to be: a nose, foot, and tooth that can hold flowers. BNAG’s deadpan delivery connects their work both to historic Funk ceramics, and to German artists like Franz Erhard Walther and Franz West, who have similarly focused on the unstable zone where the body meets a sculptural situation.\u003c\/p\u003e","brand":"Artist_BNAG","offers":[{"title":"Default Title","offer_id":31687928610869,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/1423\/7749\/products\/functionalbnag01-ind01.jpg?v=1582216212"},{"product_id":"functionalbnag02-ind01","title":"Blumennase 3","description":"\u003cp\u003eIt is appropriate that the artist duo Oliver-Selim Boualam and Lukas Marstaller are represented at Object \u0026amp; Thing by Functional Art Gallery – for it is precisely at the junction of those two terms that they operate. Based in Marrakesh and Karlsruhe, they present themselves as a “Super Design + Art Service,” offering gently provocative disruptions to the forms of daily life. The trio of objects included here, Blumennase, Blumenfuss, and Blumenzahn, are exactly what their titles proclaim them to be: a nose, foot, and tooth that can hold flowers. BNAG’s deadpan delivery connects their work both to historic Funk ceramics, and to German artists like Franz Erhard Walther and Franz West, who have similarly focused on the unstable zone where the body meets a sculptural situation.\u003c\/p\u003e","brand":"Artist_BNAG","offers":[{"title":"Default Title","offer_id":31687928676405,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/1423\/7749\/products\/functionalbnag02-ind01.jpg?v=1582216214"},{"product_id":"functionalbnag03-ind01","title":"Blumenfuss","description":"\u003cp\u003eIt is appropriate that the artist duo Oliver-Selim Boualam and Lukas Marstaller are represented at Object \u0026amp; Thing by Functional Art Gallery – for it is precisely at the junction of those two terms that they operate. Based in Marrakesh and Karlsruhe, they present themselves as a “Super Design + Art Service,” offering gently provocative disruptions to the forms of daily life. The trio of objects included here, Blumennase, Blumenfuss, and Blumenzahn, are exactly what their titles proclaim them to be: a nose, foot, and tooth that can hold flowers. BNAG’s deadpan delivery connects their work both to historic Funk ceramics, and to German artists like Franz Erhard Walther and Franz West, who have similarly focused on the unstable zone where the body meets a sculptural situation.\u003c\/p\u003e","brand":"Artist_BNAG","offers":[{"title":"Default Title","offer_id":31687928709173,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/1423\/7749\/products\/functionalbnag03-ind01.jpg?v=1582216217"},{"product_id":"functionalbnag04-ind01","title":"Blumennase 1","description":"\u003cp\u003eIt is appropriate that the artist duo Oliver-Selim Boualam and Lukas Marstaller are represented at Object \u0026amp; Thing by Functional Art Gallery – for it is precisely at the junction of those two terms that they operate. Based in Marrakesh and Karlsruhe, they present themselves as a “Super Design + Art Service,” offering gently provocative disruptions to the forms of daily life. The trio of objects included here, Blumennase, Blumenfuss, and Blumenzahn, are exactly what their titles proclaim them to be: a nose, foot, and tooth that can hold flowers. BNAG’s deadpan delivery connects their work both to historic Funk ceramics, and to German artists like Franz Erhard Walther and Franz West, who have similarly focused on the unstable zone where the body meets a sculptural situation.\u003c\/p\u003e","brand":"Artist_BNAG","offers":[{"title":"Default Title","offer_id":31687928741941,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/1423\/7749\/products\/functionalbnag04-ind01.jpg?v=1582216219"},{"product_id":"functionalbnag05-ind01","title":"Blumenzahn","description":"\u003cp\u003eIt is appropriate that the artist duo Oliver-Selim Boualam and Lukas Marstaller are represented at Object \u0026amp; Thing by Functional Art Gallery – for it is precisely at the junction of those two terms that they operate. Based in Marrakesh and Karlsruhe, they present themselves as a “Super Design + Art Service,” offering gently provocative disruptions to the forms of daily life. The trio of objects included here, Blumennase, Blumenfuss, and Blumenzahn, are exactly what their titles proclaim them to be: a nose, foot, and tooth that can hold flowers. BNAG’s deadpan delivery connects their work both to historic Funk ceramics, and to German artists like Franz Erhard Walther and Franz West, who have similarly focused on the unstable zone where the body meets a sculptural situation.\u003c\/p\u003e","brand":"Artist_BNAG","offers":[{"title":"Default Title","offer_id":31687928774709,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/1423\/7749\/products\/functionalbnag05-ind01.jpg?v=1582216222"},{"product_id":"greengrp01-ind01","title":"Patinated brass \u0026 wenge chair","description":"\u003cp\u003eFounded in 2017 by Aaron Aujla and Benjamin Bloomstein, Green River Project is a research-driven furniture producer based in New York City. 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Long before it was the done thing, he was inhabiting the spaces of furniture and sculpture with equal ease. His sure handling of form draws on a lifetime of collecting and study of decorative arts, always transformed into something urgently contemporary in feeling. This is exactly the story of the recursive vase\/lamp assembly shown here, A Pair of Lamps With Bronze Vases Cast From a Vase I Bought a Long Time Ago. It’s an unimprovable title, which both precisely describes the object at hand and also conjures the whole creative atmosphere in which it was produced. It has the quality of a still life – Giorgio Morandi springs to mind – and a prop-like theatricality that suggests that the story of its inception will launch another narrative, yet to be written.\u003c\/p\u003e","brand":"Artist_Roy McMakin","offers":[{"title":"Default Title","offer_id":31687928873013,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/1423\/7749\/products\/greenanrm01-ind01.jpg?v=1582216230"},{"product_id":"jacquesaml01-ind01","title":"Respiration Circulaire 2","description":"\u003cp\u003eThere is no living ceramic artist who has a sweeter touch than Belgium’s Anne Marie Laureys –and probably only a single dead one, George Ohr. Like the famed “Mad Potter of Biloxi,” Laureys achieves a daredevil thinness in her work, working magic with its vertiginous contours. 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Sprayed pigment brings out the choreographed voluptuousness of the forms; orifice-like apertures yawn open, bringing to mind both the beauty of undersea formations and the vulnerable parts of the human body.\u003c\/p\u003e","brand":"Artist_Anne Marie Laureys","offers":[{"title":"Default Title","offer_id":31687928938549,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/1423\/7749\/products\/jacquesaml02-ind01.jpg?v=1582216236"},{"product_id":"jacquesok01-ind01","title":"Blue 17-02","description":"\u003cp\u003ePools settled in deep hollows, jutting formations of stratigraphy, alternately matte and gleaming-wet surfaces: Osamu Kojima could easily be taken as a landscape artist, working in the medium of clay. Yet his work is also informed by the Japanese megalopolis, and its representation in science fiction anime and manga. 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A salient detail of this work – a bottle of Windex, realized convincingly but approximately – is that it is only one-third full. Though the object certainly embodies the branded commodity, it also quietly evokes the daily round of household cleaning.\u003c\/p\u003e","brand":"Artist_William J. O'Brien","offers":[{"title":"Default Title","offer_id":31687929004085,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/1423\/7749\/products\/karmadb01-ind01.jpg?v=1582216253"},{"product_id":"landingiy01-ind01","title":"Maquette","description":"\u003cp\u003eTo understand the work of Ido Yoshimoto, it is helpful to know at least a little about J.B. Blunk, the great avatar of the “back to the land” movement. Yoshimoto was raised in the tiny, out-of-the-way, and very beautiful surroundings of Inverness, California. Blunk built his own house and studio here, back in the 1950s, and as a child, Yoshimoto was able to observe the great master at work with his chainsaw, shaping massive salvaged planks and burl structures into functional sculpture. That influence is still strongly felt in Yoshimoto’s work. The maquettes seen in Object \u0026amp; Thing, made from Californian eucalyptus, are representative of his essentialist vocabulary. It’s as if the forest itself had been distilled into pure geometry.\u003c\/p\u003e","brand":"Artist_Ido Yoshimoto","offers":[{"title":"Default Title","offer_id":31687929036853,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/1423\/7749\/products\/landingiy01-ind01.jpg?v=1582216255"},{"product_id":"landingiy02-ind01","title":"Maquette","description":"\u003cp\u003eTo understand the work of Ido Yoshimoto, it is helpful to know at least a little about J.B. 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It’s as if the forest itself had been distilled into pure geometry.\u003c\/p\u003e","brand":"Artist_Ido Yoshimoto","offers":[{"title":"Default Title","offer_id":31687929069621,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/1423\/7749\/products\/landingiy02-ind01.jpg?v=1582216257"},{"product_id":"newmuseummp01-ind01","title":"One Handed Stool","description":"\u003cp\u003eGreat sculptors have been making furniture for – well, as long as there have been great sculptors. Even so, it is a special opportunity to witness an artist of Martin Puryear’s magnitude apply his skills to functional form. It is not a great leap for him, arguably, as his suggestive abstract forms nearly always include some allusion to material culture. His One-Handed Stools, produced in a limited edition of 25 for the New Museum of Contemporary Art, are (again like almost all his work) deceptively simple. They are composed of five elements: a top, bottom, and central sphere hand-turned in soft pine, which are connected by two machine-turned, crisply edged joints made in hard maple. The shift in profile and material may not be immediately evident, but it bestows upon the object a subtle internal dichotomy. A hand-rubbed paint surface conveys a sense of gentle antiquity, which will only be enhanced with the further passage of time.\u003c\/p\u003e","brand":"Artist_Martin Puryear","offers":[{"title":"Default Title","offer_id":31687929102389,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/1423\/7749\/products\/newmuseummp01-ind01.jpg?v=1582216260"},{"product_id":"newmuseummp02-ind01","title":"One Handed Stool","description":"\u003cp\u003eGreat sculptors have been making furniture for – well, as long as there have been great sculptors. 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Firmitas is particularly ascendant in the works shown at Object \u0026amp; Thing, from a 2019 collection in which Malouin riffed on the theme of the office. Struck by the grim impersonality of most contemporary contract furniture, he reached back to an earlier era of welded and cast steel, with exposed nuts and bolts and added blasts of vivid color (which come standard from his industrial suppliers, a sort of Duchampian approach to palette).\u003c\/p\u003e","brand":"Artist_Philippe Malouin","offers":[{"title":"Default Title","offer_id":31687929757749,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/1423\/7749\/products\/salon94designpm02-ind01.jpg?v=1582216300"},{"product_id":"salon94designpm03-ind01","title":"Steel coat rack","description":"\u003cp\u003eIn the first century AD, the Roman architect Vitruvius defined architecture as the confluence of three variables: firmitas, utilitas, and venustas (firmness, utility, and delight). The work of Philippe Malouin adheres impressively to this ancient fundamental formula. Across his prolific output, which ranges from small objects to furnishings to complete interiors, what you see is what you get; he is a master of structural and material integrity. Firmitas is particularly ascendant in the works shown at Object \u0026amp; Thing, from a 2019 collection in which Malouin riffed on the theme of the office. Struck by the grim impersonality of most contemporary contract furniture, he reached back to an earlier era of welded and cast steel, with exposed nuts and bolts and added blasts of vivid color (which come standard from his industrial suppliers, a sort of Duchampian approach to palette).\u003c\/p\u003e","brand":"Artist_Philippe Malouin","offers":[{"title":"Default Title","offer_id":31687929987125,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/1423\/7749\/products\/salon94designpm03-ind01.jpg?v=1582216302"}],"url":"https:\/\/object-thing.com\/collections\/edition-ind01\/gallery_the-landing+period_2000s+artist_bruce-m-sherman+gallery_galerie-herve-bize.oembed","provider":"Object \u0026 Thing","version":"1.0","type":"link"}