◄ Overview
Anne Marie Laureys
Untitled
There is no living ceramic artist who has a sweeter touch than Belgium’s Anne Marie Laureys - and probably only a single dead one, George Ohr. Like the famed “Mad Potter of Biloxi,” Laureys achieves a daredevil thinness in her work, working magic with its vertiginous contours. Sprayed pigment brings out the choreographed voluptuousness of the forms; orifice-like apertures yawn open, bringing to mind both the beauty of undersea formations and the vulnerable parts of the human body.
Tearsheet
Artist
Anne Marie Laureys
Material
Stoneware
Contributing Gallery
Jason Jacques
Period
2018
Dimensions
18.5 in × 14.5 in × 10.75 in
46.99 cm × 36.83 cm × 27.305 cm
ID
jacquesaml01-01
Image credits: Courtesy of the Artist and the Jason Jacques Gallery
Anne Marie Laureys
Stoneware
Jason Jacques
2010s
There is no living ceramic artist who has a sweeter touch than Belgium’s Anne Marie Laureys - and probably only a single dead one, George Ohr. Like the famed “Mad Potter of Biloxi,” Laureys achieves a daredevil thinness in her work, working magic with its vertiginous contours. Sprayed pigment brings out the choreographed voluptuousness of the forms; orifice-like apertures yawn open, bringing to mind both the beauty of undersea formations and the vulnerable parts of the human body.
