Faye Toogood has two related careers, either of which would make her one of the most celebrated British designers today. She started out in interiors, initially as a magazine editor for several years; soon after she opened an atelier for the production of furnishings, interiors and subsequently fashion. The two sides of her artistic personality inform and nurture the other; for example, she makes her objects within numbered Assemblages, in a rhythm of ongoing creativity and self-disruption that echoes the collection-based logic of the fashion industry. Forms of particular importance are revisited in the different collections, given different material and aesthetic interpretation; Toogood thus has an ongoing creative conversation with herself. At the Noyes House, she is showing objects drawn from various aspects of her practice. There is a tapestry from one of her recent Assemblages, a quick, sketchy and expressive composition that belies the painstaking slowness required to weave it. Two pieces of furniture are rendered in the extraordinary materials of lithium-barium crystal and sand-cast bronze; they express the qualities of water and the moon, respectively.  Finally, a vessel shown evokes the traditional Moon Jar of Korean ceramics, inverting its white palette into black; visual and tactile nuance is imparted to the surface by coating the hand-thrown stoneware in a thin layer of rubber.